Published in Artforum, May 2007. Agnes Denes is perhaps best known for planting a two-acre wheat field at the southern tip of Manhattan in 1982, during the development of Battery Park City. An iconic photograph of the artist—waist-deep in golden sheaves, skyscrapers looming nearby—appears in many surveys of environmental art. But this work, of seemingly [...]

The Cirkut camera, introduced just after the turn of the 20th century, charted—by means of a patented spring-arm rotation technology with a 360-degree range—the development of American society for the better part of 40 years. [...]

Published in Artforum, January 2007. According to the press release for “Break Camp” (Helen Mirra’s second solo exhibition at Peter Freeman, Inc.), the artist’s practice “involves no power tools.” It’s a prosaic statement that nonetheless hints at two important aspects of Mirra’s reticent art, elucidating her devotion to the handmade while also suggesting her political [...]

Published on Artforum.com on June 19, 2006. To see the review in context, click here. The three midsize canvases in this Los Angeles–based artist’s exhibition, each a slightly different view of the same rocky outcrop, would be of little interest were they not so well executed; instead, they argue convincingly for the value of painting [...]

A photograph taken last week in Los Angeles I began reading the first article in The Believer‘s April issue, titled “Thirteen Ways of Seeing Nature in LA,” as my plane took off from LAX. The article, to be published in two parts, is taken from Land of Sunshine, an essay collection edited by William Deverell [...]

Published on Artforum.com on April 12, 2006. To see the review in context, click here. Sze Tsung Leong’s gorgeous, abundantly detailed, medium- to large-size photographs of Chinese cities undergoing cataclysmic change fuse Edward Burtynsky’s synoptic aerial views, Elger Esser’s blanched palette, and the patient attentiveness evident in underappreciated Japanese photographer Ryuji Miyamoto’s mid-’80s “Architectural Apocalypse” [...]