September 8, 2006

New MP3s: The Rapture, Ted Leo

My apologies to anyone who tried to download the Keith Jarrett MP3 that sat on this site for the last thirty-six hours. Apparently the file doesn't work, and caused some people's browsers to freeze or crash. I've substitutued the first track off the new Rapture album, mentioned yesterday, and a song off of Ted Leo's fantastic 2001 album The Tyranny of Distance.

Below is the post I'd written to accompany the Jarrett track:

I've uploaded a thirty-eight-minute long performance by Keith Jarrett as the newest MP3 of the moment. It was recorded in Paris on October 17, 1988, and it is my favorite of his live recordings. He has himself suggested that a concert at La Scala is his greatest work of improvisation, and by consensus his fans have anointed the Köln Concert as their favorite. Yet there is something about the Paris recording, more classical (Baroque, specifically) in its orientation, that grabs at me, especially the quieter passage that begins at about 17:15 and runs until about the 21:30 mark. It also contains some of the longest single-note, drone-like passages of any of his concert recordings, many of which I've been able to borrow from the New York Public Library, import to my computer, and spend excessive amounts of time listening to.

Seeing Jarrett live last September at Carnegie Hall (New York Times review here), which was his first solo performance in New York in a decade and perhaps the best birthday gift I have ever received, was absolutely fantastic; each of the five encores was entirely earned.

I'm relatively new to Jarrett fandom, having only come across his music in Ellen B.'s apartment in Berlin in early 2005. One night, while alone, I slipped in five of the six discs documenting Jarrett's 1976 "Sun Bear" concerts in Japan and was mesmerized. I'd consider some of the music from those sessions to be my favorite, but I know that I'm letting the ideal situation of my first listening experience color my opinion of the music.

Anyway, the files linked at the bottom of the middle column are big, so I ask (as always) that you please right-click, "Save As," and play it from your computer rather than stream it directly from my web server.

Posted in Music. Permanent link here.

Home

Recent Entries

> Review of American Earth
> New Artforum.com
> More weekend reading
> Weekend reading
> "Does Time Run Backward in Other Universes?"
> Gura and Dickinson
> Susan Jacoby's Freethinkers
> A little thread concerning the nature of inventiveness
> Visual Interlude: Prayer Book of Claude de France
> Tod Papageorge on contemporary photography
> Calvin Tomkins on Paul Chan in the New Yorker
> Am I the last person to learn this?

Archives

June 2008
May 2008
April 2008
March 2008
January 2008
December 2007
September 2007
August 2007
July 2007
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
September 2005
August 2005
June 2005
May 2005
April 2005
March 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003
November 2003
October 2003
September 2003
August 2003
June 2003
May 2003
April 2003
March 2003
February 2003
December 2002
November 2002

Categories

Architecture & Design
Around the web
Art
Books
Film
From the Archives
Miscellaneous
Music
Papers & Periodicals
Quotes
Radio

Worth Seeing

"Black Is, Black Ain't" at the Renaissance Society, Chicago (through 06/08/08)

"Shaker Design: Out of This World" at the Bard Graduate Center (through 06/15/08)

Elad Lassry at John Connelly Presents (through 06/21/08)

Tomma Abts and Paul Chan at the New Musuem (through 06/29/08)

"Who's Afraid of Jasper Johns?" at Tony Shafrazi Gallery (through 07/12/08)

On My Nightstand

Marilynne Robinson, Home

Patricia Willis, ed., The Complete Prose of Marianne Moore

Links

BrianSholis.com
Today in Letters


Art
art.blogging.la
ArtFagCity
Artforum
ArtCal
Art History Newsletter
Artnet
Artinfo
ArtReview blog
ArtsJournal
Edward Winkleman
e-flux
Élisabeth Lebovici
Frieze
Greg.org
The Guardian
Los Angeles Times
Modern Art Notes
The New York Times
Alec Soth

Books
Anecdotal Evidence
Beatrice
Bookslut
Conversational Reading
Critical Mass
The Guardian
The Literary Saloon
Maud Newton
Moorishgirl
The New York Times
The Page
The Reading Experience
Ready Steady Blog
Three Percent

Journalism/Media
Eat the Press
FishbowlDC
FishbowlNY
Observer media
Romenesko
Slate/Jack Shafer

Papers, Periodicals & Journals
AGNI
The American Scholar
The Atlantic
The Believer
BOMB
Bookforum
The Boston Review
Conjunctions
Gourmet
Granta
The Independent (London)
Le Monde Diplomatique
The LRB
The Los Angeles Times
The Nation
New Left Review
The New Republic
The New Statesman
The New Yorker
The NYRB
The New York Times
The Observer (London)
The Paris Review
A Public Space
The Threepenny Review
The TLS
VegNews
The Virginia Quarterly Review
The Walrus
The Washington Post

Miscellaneous
3 Quarks Daily
About Last Night
Amy's Robot
Arts & Letters Daily
The Bruni Digest
Cliopatria
Caleb Crain
Jenny Davidson
Design Observer
Emdashes
EuroZine
Flavorpill
GridSkipper
Michael Ned Holte
Kultureflash
Low Culture (RIP)
Miss Representation
Momus
openDemocracy
The Pinocchio Theory
The Rest Is Noise
The Revealer
Sign and Sight
Wood S Lot

New York City
Curbed
Eater
Gothamist
New York
New York Brain Terrain
The New York Observer
New York Press
The New York Times
OhMyRockness
Overheard in New York
The Village Voice
Weather

Resources/Archives
International Dada Archive
Lingua Franca mirror
Marx & Engels' Writings
National Philistine
Nothingness.org Library
Situationist International
Archives of American Art
UbuWeb

Syndicate this site (XML)

Some rights reserved. For details, please review my Creative Commons License.

Powered by
Movable Type.

Design cribbed from Miss Representation.