My short essay “Cross Pollination” has been published in Early American, a monograph devoted to the series of the same name by photographer Sharon Core. The book is available now from Radius Books. Here is an excerpt, taken from the middle of the essay:
Like [Raphaelle] Peale’s paintings, Core’s photographs possess remarkable descriptive detail, which contrasts with their plain, indistinct environments. The objects of our attention rest on a ledge or table of indeterminate scale; the backdrops at times blend seamlessly into this horizontal surface. A gentle light suffuses each scene, often from one side of the image, its source unknowable. The compositions, too, are meant to be unobtrusive. Peale centered his objects, which are arranged in stately, pyramidal heaps. They are placed uncannily close to the viewer, the better to highlight their anatomical detail. These choices are partly unique to Peale, and partly a function of the time in which the paintings were made. In early nineteenth-century America, before the invention of photography, still lifes were not only objects of aesthetic delight, but also tools of instruction. They were a way of recording the country’s bounty, and of demonstrating to Americans the specific qualities of that bounty.
It took Core long hours to collect the items (both organic and inorganic) necessary to re-create Peale’s compositions….
Core will be signing copies of the book at Yancey Richardson Gallery, 535 West 22nd Street, on Wednesday, November 28, from 6:00–8:00 PM.