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Jia Zhang-ke, 24 City

One of the virtues of Jia Zhang-ke’s recent film 24 City (2008) is that he focuses on particular losses: the psychological and physical wounds inflicted upon the employees of Factory 420 in Chengdu, first under Mao’s regime in the 1960s and 1970s, and then during the shift from a planned economy to a market economy, the effects of which are still being felt today.

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