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I’ve begun using Twitter to post links to articles and essays I’m reading, tidbits of news from the art world and the academy, and the occasional picture of NYC-area adventures. Please follow me @briansholis.
A two-hour visit to “Dance with Camera” neither exhausts a viewer’s patience nor leaves one with the sinking feeling of having missed great swaths of what was on offer. The exhibition successfully presents dance as a profitable frame of reference through which to understand anew collaboration, narrative propulsion, the body, and other topics artists wrestle with today.
Last Wednesday I traveled to Philadelphia to see the exhibition “Dance with Camera,” on view through March 21 at the Institute of Contemporary Art. My review will arrive on newsstands several months from now, but in the meantime I wanted to share my newfound enthusiasm for Hilary Harris, a now little-known documentary filmmaker whose exquisite [...]
I’ve begun using Twitter to post links to articles and essays I’m reading, tidbits of news from the art world and the academy, and the occasional picture of NYC-area adventures. Please follow me @briansholis.